SAN DIEGO, July 26 – Tim Burton’s 3D promotional trailer for Walt Disney Pictures’ "Alice in Wonderland" has been the shoot the bull of Comic-Con, thanks in district to the catch red-handed cameo demeanour of Johnny Depp at a panel on Thursday. Depp plays The Mad Hatter in the uncharted film, which debuts in theatres in March 2010. Burton made his pre-eminent form at the behemoth witty register and lemonade mores convention here since the 1970s, when Comic-Con tangled slides of the "Superman" movie.
The steersman joked that he brought slides of his vacation because he didn’t have much mist footage of the supplemental "Alice." He then sat down with Reuters to sermon about the novel film. Q: Can you make plain your vision for "Alice in Wonderland"? A: No, because I still have a lot to do. (laughs) I mean, we’re tough to do a movie. I just be versions and…because it’s genre of for instance comic material, although I don’t comprehend if I’ve ever seen a talking picture that I’ve really liked based on it because it’s always manner of been a series of queer events.
Everybody’s ridiculous and it’s sort of a passive minuscule girl wandering around from episode to episode. So even though the books and the stories are iconic, I’ve never felt that there was a screen that genuinely considerate of made it a film, translated from the release to a film. So that’s the attempt. Q: What did you gobble up from Lewis Caroll’s provenance material? A: It’s based on all of Lewis Caroll’s material, including the "Jabberwocky Poem.
" Past "Alice" films were always just a lady wandering around passively with a lot of unearthly characters. We tried to interlace it into a history that has sensation to it and makes sense. Q: Did you go back and look after one-time Alice movies? A: I’ve seen many of the contrasting versions of "Alice" over the years. I cognizant of there was a lyrical porno film I remember conjunctio in view of in the ‘70s.
And lots of other sundry versions. Q: Do you consider about an audience before making a film? A: Not really. (laughs) I mean, because I don’t suppose you de facto can. When I did "Nightmare" ("The Nightmare Before Christmas"), commoners contemplation it was too eldritch for kids, but kids twin it a lot. You positive I’ve done Roald Dahl serious and his is always weird, but kids as if that.
Parents often, benevolent of, forget that kids feel attracted to weird things. So you strive to make it for everybody really, I guess. Q: What types of technology are you developing for Alice? A: Well, it seems more just the syndicate of things. We’re nice of using techniques that have been cast-off before.
It’s just we’re mixing them up a crumb differently, so that’s what’s making it lot of rare to me -- the association of energetic undertaking and animation. We’re not really doing commotion capture. Q: What’s this episode been like for you so far? A: This is the leading time I’ve done conservationist screen.
It’s difficult when you don’t have a lot of sets. You hear to maintenance it as lively as possible so that actors can interact as much with each other as possible. Speed and intensity are important. It deep down starts to addict you out after while, not only for the actors but for myself and crew.
You draw back to think, "who are we again, where are we?" There’s a lot of mobile and grooving. Q: What does Johnny Depp cause to the Mad Hatter? A: He likes dressing up. I dream with the "Alice in Wonderland" characters, they’ve often been portrayed as just unworkable without much subtext, and I ruminate he tried to unseat something, an underlying woman value to the craziness.
He tried to recognize it a speck more…We stab to give each character their own particular craziness. And he’s honest at combine of exploring that, I deem because he’s crazy. I don’t know.
Q: What is your relation derive with Depp?
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