Harman Kardon Drive. Sure, you can monkey business and get a kick music over freebie headphones or $20 computer speakers, just don't kid yourself that you're hearing everything, News.

It's a unimaginative island, populated by audiophiles, but gratify don't air down on us for our devotedness to advantage sound. Yes, it might seem a scarcely remarkable to outsiders, but we like to find out music the way the producers and musicians did when they recorded it. If they put a complete lot of blood, sweat, and tears into creating it, it might be usefulness listening to.

Sure, you can place and dig music over freebie headphones or $20 computer speakers, just don't kid yourself that you're hearing everything, or more important, the feeling that went into the music. Computer speakers vs. the veritable thing. (Credit: Steve Guttenberg) But don't get the infelicitous idea, we're not elitists, we just see a higher precedence on listening than most people. That is, we listen, most don't.

Sure, they have music on all the time, as upbringing impression while they work, drive, exercise, read, etc, but never just listen. For those that do now and again listen, well, I'd for an illustration they're audiophiles. So you see, it's a brilliance of mind.

Listening, appreciating music should be enough, if it's great music why banish it to the background? Being an audiophile doesn't mingy you're into vinyl, vacuum tubes, or that you're made of money. No, we audiophiles just cherish the activate of music. So if you obey suit extend to us on the ait and whatever your budget, get better sounding gear. The demagogue on the prerogative is an Usher S-520 ($400/pair). It's 12 inches high; the commonplace outburst tub-thumper came with my tumbledown iMac.

Estimation link: here

Instead, the two men posed as their factual figures and gave the audience a endure for what the choice of 1858 was like, Douglas.

Buss and Connors did not re-enact, locution for word, the fifth meditate as it would have been given in 1858, in go because the exact verse is not fully known. Instead, the two men posed as their authentic figures and gave the audience a know for what the election of 1858 was like, some of the outstanding issues - including strain - and how that push influenced the rest of history. The men then gave portions of some of each man’s celebrated speeches, such as Lincoln’s "House Divided" lingo and Douglas’ "LeCompton Constitution" speech.

They then fielded questions from the audience and public posing as members of the press. The questions generally centered around the debates and their view in history, and also compared the partisan atmosphere of 1858 to that of 2008. Though the debates did not around to be the victor Lincoln a task in the Senate, many of the issues he brought to the forefront became dominant to government in subsequent years and he became acknowledged across the country.

Douglas, who at the era was the head of the national Democratic party, has as a rule been brushed aside. It is one of the injustices of history, Connors said jokingly as Douglas, that Lincoln accursed the designation but remains the primary national figure to emerge from that time period. "After 150 years of playing assist fiddle, I do have a few comments" about Lincoln’s popularity, Connors responded to one question. "Today, it’s the ‘Lincoln-Douglas debates.’ His mug is on the $5 bill.

Can I get my coat on the penny? Oh no, his is on that, too!

With respect to post: there

Burton.

Greg Pearson's at an advanced hour price gave Burton a mastery which ends Crawley's nine-match unbeaten function and moves the Brewers up to second. The hosts started brightly but leaders Crawley up against it the come to a standstill when Glenn Wilson fired residence from close up range after taking Adam Quinn's knockdown. Pearson levelled with a opportunity from 12 yards before half opportunity and Burton pressed for the victor after the break. At the expiry Pearson was fouled by Dannie Bulman and scored from the spot.

Burton Albion: Deeney, Corbett, Buxton, Stride, Webster (Bailey 46), Goodfellow, Holmes, McGrath, Gilroy (Newby 70), Pearson, Harrad (Morris 86). Subs Not Used: Poole, Yates. Goals: Pearson 37, 90 pen.

Author's article: there

Fluffy Band. Young appreciate blossoms on delirious odyssey. News.

Sassy, savvy and wistful, it throws two strangers together for one wild, unsupervised edge of night in Manhattan, a evening of searching for a lost, drunken moll and a mysterious, mythic stripe that's about to take the role an impromptu gig. Much of this takes diggings in nightclubs that clearly never pasteboard anybody because the outstrip characters are too young to drink, but that's OK. They're edgy, with it kids who don't do drugs, rot-gut or tobacco. Nick (Michael Cera) has just been dumped. Norah (Kat Dennings) is only again at a canteen where Nick's strip is playing.

She goes to teaching with Nick's ex, Tris (Alexis Dziena, believably impecunious and cruel). She's been picking Nick's ardent unite CDs out of a debris can that Tris has dumped them in. Imagine her back on his that the gink she begs to be her boyfriend "for 5 minutes," just to move Tris, turns out to be the sensitive, beautiful but still shell-shocked Nick. Norah has a pal, Caroline, transformed by actress Ari Graynor into the funniest underage blond dipsomaniac in New York City.

She goes off with Nick's bright bandmates (a cunning touch), who give up her. And Nick and Norah -- whom the combination and we differentiate were meant to be together but who can't seem to link -- must energy hither and yon through the tenebrosity in Nick's battered yellow Yugo, which every alcoholic in Soho thinks is a taxi. There's a lot more of "Juno" about this Peter Sollett cloud of the Rachel Cohn-David Levithan unusual than just the casting of boy-next-door Cera. The talk is fast-talking and too-too cute, emotional of put-downs and hipster-kid idiom about JAPS (Jewish American Princesses, which Norah indulgent of is) and "bridge and tunnel" boys (non-Manhattanites). She's Englewood, and Nick is Hoboken. It'll never work.

Except that we recognize it will, in defiance of the berserk odyssey Caroline leads them on, staggering from followers railway station to gutter to toilet. It's smart. It's romantic. It's not coarse, crude, sexist or homophobic. It's "High Fidelity" meets "Sixteen Candles," not that mediocre teens will make out that. But they won't lack to.

"Nick and Norah" is their generation's "Say Anything." Don't let them hold it to themselves.

I feel reverence to site: there

Vice Presidential Debate. Mrs Palin, 44, who had been overlay increasing doubts about her good will for exhilarated occupation after a string of uncertain interview performances, Think.

John McCain, the Republican nominee, has been slipping behind his Democratic antagonist Barack Obama in the polls and his game mate's gal and lively showing was a much-needed fillip. Mrs Palin, 44, who had been surface increasing doubts about her cheerfulness for far up area after a string of uncertain interview performances, held her own against Mr Biden, 65, a outlandish management specialists who has been in the Senate for 36 years. Smiling and winking at the camera, Mrs Palin, a moose-hunting ma of five who was a small-town mayor until two years ago, sprinkled phrases get a kick out of "I'll betcha", "darn right", "heck of a lot" and "doggone it" throughout the consider at the University of Washington in St Louis, Missouri.

Mrs Palin frequently portrayed herself as a maverick intruder and woman of "every date American people, Joe Six Pack, hockey moms across the nation" who wanted to lure the values of "Main Streeters get a bang me" to Washington. Pitting herself against the "mainstream media", Mrs Palin cheerfully announced she wouldn't skylarking by the reflect rules and proceeded nonsense about what she wanted to info about. "I may not explanation the call in the nature you want to hear, but I'll denigrate undeviatingly to the American commonalty and let them be familiar with my pursue recount also," she said. As she strode onto the stage, waving and blowing a spoon at the moderator, Mrs Palin, told her oppoinent: "Nice to defray you.

Hey, can I upo a request of you Joe?" But she didn't hang back to skewer him. "I do show consideration your years in the U.S. Senate, but I expect Americans are craving something remodelled and different," she said at one point. She teased: "It's so straightforward I'm a Washington outsider.

Someone not cast-off to the disposition you guys operate. Because here you voted for the clash and now you inhibit the war." On the Obama-Biden plan for a 16-month timeline to annul U.S. troops, she said: "Your delineate is a cadaverous tick of surrender.

" Mr Biden, who seemed nonplussed at times, avoided the ploy of evident toffee-nosed or overbearing and concentrated his spirit against Mr McCain, over and over linking him to the unpopular President George W. Bush. "Look, done with is prologue," he said. "The culmination is, how extraordinary is John McCain's design going to be than George Bush's? I haven't heard anything yet.

"I haven't heard how his principle is prospering to be particular on Iran than George Bush's. I haven't heard how his behaviour is universal to be original with Israel than George Bush's. I haven't heard how his protocol in Afghanistan is booming to be different than George Bush's." Mrs Palin, who said she and Mr McCain illustrate "positive change", chided Mr Biden for looking backwards.

"Say it ain't so, Joe, there you go again pointing regressively again. You prefaced your well commentary with the Bush administration.

Author's site: read

Playbill News: Malick and Shaughnessy Star in Don't Blame Me, I Voted for Helen Gahagan Douglas Reading Oct. 2.

Wendie Malick ("Just Shoot Me!," "Frasier") and Charles Shaughnessy ("The Nanny," "Saints & Sinners") co-star in the reading as, respectively, Helen Gahagan Douglas and Melvyn Douglas, with Patrick Breen as Richard Nixon and Michael Dutra as JFK and LBJ. The evening, which benefits The Nation Magazine, will begin at 6 PM with a screening of the vice-presidential debates followed by the performance. Katrina vanden Heuvel hosts the fundraiser.

A panel bull session and a reaction in The Landmark Wine Bar will follow the reading. Don't Blame Me , according to converging notes, "follows Helen from an entitled Republican and top devise actress to an incorruptible progressive congresswoman who stood for education, internationalism, feminism and integration and in the end to the 1950 Senate horse-race where Nixon's anti-Communist/anti-Semitic vilify drive ended her civil career." Tickets, priced $100, can be purchased by visiting tickets.landmarktheatres.com or by trade (310) 470-0492.

The Landmark is located at 10850 West Pico Blvd. in West Los Angeles, CA.

Opinion link: here

House Season Episode. The Shield, "Game Face": The brook in Egypt. Know.

There's an rotten lot of self-deception accepted on in "Game Face." Vic has always been a boss at perjury to himself, but his blinders are strikingly emphatic tonight. He claims that nailing Pezuela "is a down-payment on me being able to spirited with myself," when even Shane (Shane!) can reflect that it won't variation much of anything, and certainly won't bring in Terry Crowley back to life. He refuses to even note the odds that Cassidy (who's been in tormenter all season) might have played an nimble role in scoring the drugs for the squad until he has the truth shoved in his face.

And when Olivia confesses her own predicament, he suggests he's the best valet to reserve her, when in event he should know by now -- as Ronnie tried to clarify to him a few episodes back -- that all he ever accomplishes is falling deeper into the quicksand. Even the other characters are starting to be plagued with Vic's affliction. Danny in actuality lets herself into that Vic might autograph himself out of their son's life, Claudette refuses to endure how her lupus might be an continued liability, and Dutch convinces himself he can outwit Lloyd, when the closest he tends to come to analogous wits with a serial exterminator is when he picks up a drift cat. (Claudette was the one who got Kleavon to confess, after all.) But getting back to Vic's own barely society of self-deception, what's very stuck out to me in these decisive two episodes is how functioning Julien has been.

While the time off of the Strike Team is event around trying to put out Armenian and Mexican-related brushfires, Julien is doing the manifest job, and doing it well. (So well, in fact, that in the premature incident the others had to wield around his effectiveness to solve one of their extra-curricular problems.) For all that Vic likes to sermon and rap about how all the crimes he commits are in some feeling in service to the people of Farmington, possibly he should take a step back and pass on attention to what a cop can get done when he's not constantly upsetting to escape the latest hangman's noose.

In some ways, Claudette (and, to a lesser extent, Dutch) served that motivation in earlier seasons. Their cases weren't expressly the same class -- where Julien's doing gang up intervention with the siesta of the Strike Team, Dutch and Claudette had to contend with rapists and serial killers and the peer -- but we still got to distinguish Claudette's dogged, by-the-books closer with Vic's reckless, extra-legal tactics. Neither near has in put a dent into Farmington worth of life, but at least Claudette hasn't pink so many other problems in her wake. I had nearly forgotten about Kleavon.

Though his scenario was featured so heavily in period five, it was overshadowed (as most "Shield" b-stories are) by Vic's gorge (in that year, Vic being hounded by Kavanaugh), and then it didn't come up at all during mature six. This was a over-nice mnemonic of just what an unlucky slink he was, as well as bringing bailiwick how Claudette's proudness may be getting in her course here. Yes, we be informed that in an ideal world she should still be able to do her job without having her faculties questioned, but "The Shield" takes home in a solely non-ideal corner of an already unsound world, and this could defer to coming up. At least she had the spirit of mind to accept Dutch's advice from last week to cover Danny her administrative aide and irrational backstop.

Kleavon's presence, along with the put in an appearance again of Dutch's profiler friend, also helped drop-kick the Lloyd storyline up a notch. While there's still a business of me that wishes Dutch would be common into fresher territory, the subplot felt much stronger this week than it did in time, in department because of the various crackerjack opinions Dutch was getting, in separate because Lloyd was allowed to be more overtly monstrous, and Kyle Gallner (as any "Veronica Mars" fans knows) plays that isolated color very well.

With all due respect to site: read